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A Far Off Place by Mikael Salomon
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DVD detailsActor: Ethan Embry, Jack Thompson, Reese Witherspoon, Robert John Burke, Sarel Bok Director: Mikael Salomon Brand: Buena Vista Home Video Producer: Elaine Sperber Producer: Eva Monley Producer: Frank Marshall Writer: Jonathan Hensleigh Writer: Laurens Van der Post Writer: Robert Caswell Writer: Sally Robinson DVD: Region Code 1 Audio: English (Unknown); English (Original Language) Format: Color, DVD, NTSC Picture Format: 2.35:1 Running Time: 108 minutes DVD Release Date: 2004-06-01 Audience Rating: PG (Parental Guidance Suggested) Studio: Walt Disney Video Product features: - Walt Disney Pictures and Amblin Entertainment team up to deliver a thrilling story, action-packed adventure, and breathtaking scenery! Thrown together under incredible circumstances, two strangers must discover courage and strength when they begin a journey across the treacherous African desert! Equipped with only their wits and the expertise of a native bushman who befriends them, they are determ
DVD Reviews of A Far Off PlaceDVD Review: Postmodern American Teenyboppers meet Shaka Zulu Summary: 1 Stars
Well, this was about as formulaically politically correct as a movie can get, unfortunately: the female teenage protagonist (played by Witherspoon, whose acting powers have increased dramatically since her stilted acting here) acts masculine and heroic, the male teenage protagonist acts craven and flippant. At one ridiculous point, the girl runs around acting like a commando, a veritable one-gal army, blowing up the bad guys, while the boy hides in a cave sniveling. Later, when the boy tries to assert himself by offering to carry the gal's backpack as they cross a desert, the gal snaps at him, Bella Abzug-style, and walks quickly ahead, leaving him in the dust. Clearly a modern radical feminist thing going on here, and what is most unfortunate is that this movie was made for a young audience and therefore is in keeping with the modern radical feminist propaganda which is brainwashing young women into unnaturally behaving like men. Of course, in the real world, the result for such manly girls, once they become women, is that men do not choose them and they remain alone, and therefore become bitter--ironically and inevitably blaming men, of course. In this movie, the wimpy teenage guy falls for the brassy, masculine gal--but that's why they call them movies. When are these post-modern writers, artists, and other culture-shapers with an agenda going to realize that when they tout modern radical feminism, they are touting something unnatural--men simply do not prefer masculine females. Men want someone to COMPLEMENT them, not COMPETE with them. Men crave FEMININITY in females, not FEMINISM. Wow, is there ever a difference in those two forms of comportment! This poor teenage guy depicted in this movie, at least his character does progress a little bit: by the end of the movie, instead of craven and flippant, he graduates to something akin to a metrosexual-type with a wild-boy haircut, if that is even a step upward. But the plucky gal--she's still the one in charge in this fictitious world of upside-down gender relations.
Uh, another problem with this movie--and there are many--is when the kids are going through the Kalahari Desert, something which should be, and for a time is here depicted as, a foreboding and life-threatening task. Yet we see Witherspoon in this desert frolicking with a dog; and we see the boy's flippancy and joviality emerge in a totally out-of-place manner, considering the dire situation they are in. The sense of urgency which had been built up is totally excreted away by these light-hearted, inane scenes.
Look, I dig Disney kid movies--more realistic ones. You know, old style Disney movies. You take "Old Yeller" for example. Now there was a quality kid movie, and quite true to life.
This movie was not. It had a plastic, spoiled-American-materialistic-teenybopper feel throughout. Disney has gone down the tubes. In any number of ways, they've been subverted by radical Marxist agendas (Note: One more of these was the fact that an African Bushman was allowed to evince a pagan ritual from his PC pagan religion--something called "tapping," while the Caucasians were of course not shown evincing any sign of their un-PC Judeo-Christian religion--this is bias, folks, leftwing, PC bias, same as the aforementioned feminist bilge). I am learning to run, not walk, away from Disney stuff, and this movie was further cause for me to do so.
More A Far Off Place reviews: 1 2 3 4
Description of A Far Off PlaceWalt Disney Pictures and Amblin Entertainment team up to deliver a thrilling story, action-packed adventure, and breathtaking scenery! Thrown together under incredible circumstances, two strangers must discover courage and strength when they begin a journey across the treacherous African desert! Equipped with only their wits and the expertise of a native bushman who befriends them, they are determined to triumph over impossible odds and reach their destination. But along the way, the trio face a primitive desert wilderness teeming with deadly obstacles, including wild animals, ruthless poachers, and severe weather conditions! In this 1993 Disney adventure, Reese Witherspoon and Ethan Embry are two young survivors of an African massacre. She is the daughter of a game warden; he is a sulky teen visiting his dad. When poachers do in the adults, the kids hotfoot it across the Kalahari Desert, aided by Witherspoon's young bushman pal (Sarel Bok). They have to cross about 1,000 miles of forbidding territory, all the while chased by nogoodnik Jack Thompson. The kids face down danger, have a few excessively cute escapades, and learn about their capacity for survival--and goodness. The highlights of the film are the lush cinematography and exotic locales of Zimbabwe and Namibia. Though this is a Disney production, it is too violent and intense for young children. It is based on the books A Story Like the Wind and A Far Off Place, by Laurens Van der Post. --Rochelle O'Gorman
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