2001 - A Space Odyssey
by Stanley Kubrick
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DVD details
Actor: Daniel Richter, Gary Lockwood, Keir Dullea, Leonard Rossiter, William SylvesterDirector: Stanley Kubrick
Brand: Warner Brothers
Cinematographer: Geoffrey Unsworth
Producer: Stanley Kubrick
Writer: Stanley Kubrick
Editor: Ray Lovejoy
Producer: Victor Lyndon
Writer: Arthur C. Clarke
DVD: Region Code 1
Audio: English (Original Language), Dolby Digital 5.1
Format: Anamorphic, Closed-captioned, Color, Dolby, DVD, NTSC, Original recording remastered, Widescreen
Picture Format: 2.35:1
Running Time: 141 minutes
DVD Release Date: 2001-06-12
Audience Rating: G (General Audience)
Studio: Warner Home Video
DVD Reviews of 2001 - A Space Odyssey
DVD Review: three quarters of a very good film
Summary: 3 Stars
just saw the film (again) and some special features yesterday . what happened ? i'll tell you what happened . they ran out of money . they say so over and over in the features . that's why we get the 20 minute PINK FLOYD interlude culminating in the "interpret it youself" B.S. ending . what a shame . they put so much effort into such a spectacular story that probably should have faded to black when HAL was disabled and the message played . unforgivable pretension . if you assert you "GET IT" , ask 20 other people and see what their take is . what is this ? the scriptures ? please . fact of the matter is the truth lays somewhere in the middle in this deeply flawed , incredibly influential "MASTUR" something . and it's not piece . also , "A PACE ODYESSEY" ? to each their own . classical music makes me know poignant things are occuring . DVD Review: Favourite movie, favourite blu-ray
Summary: 5 Stars
Seen this countless times and in 70mm, this film is why I bought a blu-ray player and is pretty much the only one that I watch repeatedly. Best picture quality and sound out of all the releases, including the DVD limited box set with the film strip. It looks so much better here, as it clearly should. High Recommendations for this one, and Keir Dullea is prime cool hereDVD Review: Once you get past the first 30 minutes or so...
Summary: 5 Stars
That first half-hour is very long and very boring, but having said that, it is an essential part of the storyline, with the proto-humans discovering the Monolith and not understanding what it stands for.
Once you get past that, it is a well-paced film, with special effects that are nothing short of incredible for the time that the movie was made. The effects look even better on the blu-ray version!
You can't go wrong with this sci-fi classic...
DVD Review: 2001 Blu-ray: reawakens the awe and majesty
Summary: 5 Stars
In my opinion, the best motion picture ever made. The epic sweep of the story, the framing of images, the poetry of motion, the long moments of silence, the vastness of the heavens, the beautifully posed and unanswered questions...all captured in original glory. Some of the behind-the-scenes extras spoil my suspension of disbelief, but still enjoyable. This is the reason I bought my LG 55LH90 HDTV. DVD Review: unbiased first time watcher
Summary: 1 Stars
This movie is incredibly boring, content-less and primitive. I bought blu ray edition based on 990+ mostly positive reviews on Amazon. Now I am puzzled - how could this movie ever get 5 stars? The only explanation I have it was kind of cool in 1969 and people who watched it back then are nostalgic. Nowadays I do not find it's cool to watch black screen for 5 minutes wondering if my disk/player/projector are OK. That is right - movie has black scenes with nothing for minutes (kudos to "Black Square" Malevich?), accompanied by a most terrible psychedelic music (?) ever. I really had to mute and fast forward it quite a bit. On the other hand movie is somewhat OK if you want to fall asleep, which I did twice (here comes one star from me). Few bright moments of light/action/dialog in the universe of boredom barely occupy a few minutes of footage continued by hours of rotating still images and annoying Windows Media Player type of visual kaleidoscope. You would see all kind of nonsense: Pan-Am waitresses doing a lot of baby steps in circles; pen flying for minutes; annoying "monkeys" jumping and crying for half an hour; repetitive scenes of "space ships" flying up close (one hour?); somebody breathing heavily for 10 minutes into microphone, twice; eating miserable colored humus-like space food for 5 minutes; etc. Sparse dialogs are not nearly as deep as some suggested and reminded me naive baby talks: "[Mummy], please, I will never do it again, I promise", "Hal, do you hear me? Please answer me, please.. (repeated 5-10 times)", "I can not talk about it right now", ... I guess if this extreeeeeeemely long chewing gum is compressed into 10 minutes cartoon for kids if would become average. Otherwise, total waste of my money-time continuum.
Description of 2001 - A Space Odyssey
Studio: Warner Home Video Release Date: 05/31/2005 Run time: 148 minutes Rating: RWhen Stanley Kubrick recruited Arthur C. Clarke to collaborate on "the proverbial intelligent science fiction film," it's a safe bet neither the maverick auteur nor the great science fiction writer knew they would virtually redefine the parameters of the cinema experience. A daring experiment in unconventional narrative inspired by Clarke's short story "The Sentinel," 2001 is a visual tone poem (barely 40 minutes of dialogue in a 139-minute film) that charts a phenomenal history of human evolution. From the dawn-of-man discovery of crude but deadly tools in the film's opening sequence to the journey of the spaceship Discovery and metaphysical birth of the "star child" at film's end, Kubrick's vision is meticulous and precise. In keeping with the director's underlying theme of dehumanization by technology, the notorious, seemingly omniscient computer HAL 9000 has more warmth and personality than the human astronauts it supposedly is serving. (The director also leaves the meaning of the black, rectangular alien monoliths open for discussion.) This theme, in part, is what makes 2001 a film like no other, though dated now that its postmillennial space exploration has proven optimistic compared to reality. Still, the film is timelessly provocative in its pioneering exploration of inner- and outer-space consciousness. With spectacular, painstakingly authentic special effects that have stood the test of time, Kubrick's film is nothing less than a cinematic milestone--puzzling, provocative, and perfect. --Jeff Shannon
When Stanley Kubrick recruited Arthur C. Clarke to collaborate on "the proverbial intelligent science fiction film," it's a safe bet neither the maverick auteur nor the great science fiction writer knew they would virtually redefine the parameters of the cinema experience. A daring experiment in unconventional narrative inspired by Clarke's short story "The Sentinel," 2001 is a visual tone poem (barely 40 minutes of dialogue in a 139-minute film) that charts a phenomenal history of human evolution. From the dawn-of-man discovery of crude but deadly tools in the film's opening sequence to the journey of the spaceship Discovery and metaphysical birth of the "star child" at film's end, Kubrick's vision is meticulous and precise. In keeping with the director's underlying theme of dehumanization by technology, the notorious, seemingly omniscient computer HAL 9000 has more warmth and personality than the human astronauts it supposedly is serving. (The director also leaves the meaning of the black, rectangular alien monoliths open for discussion.) This theme, in part, is what makes 2001 a film like no other, though dated now that its postmillennial space exploration has proven optimistic compared to reality. Still, the film is timelessly provocative in its pioneering exploration of inner- and outer-space consciousness. With spectacular, painstakingly authentic special effects that have stood the test of time, Kubrick's film is nothing less than a cinematic milestone--puzzling, provocative, and perfect. --Jeff Shannon
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