2001: A Space Odyssey
by Stanley Kubrick
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DVD details
Actor: Daniel Richter, Gary Lockwood, Keir Dullea, Leonard Rossiter, William SylvesterDirector: Stanley Kubrick
Cinematographer: Geoffrey Unsworth
Producer: Stanley Kubrick
Writer: Stanley Kubrick
Editor: Ray Lovejoy
Producer: Victor Lyndon
Writer: Arthur C. Clarke
DVD: 2 Layers, Region Code 1
Audio: English (Original Language), Dolby Digital 5.1; French (Original Language), Dolby Digital 1.0; English (Subtitled); Spanish (Subtitled); French (Subtitled)
Format: Closed-captioned, Color, Dolby, DVD-Video, Letterboxed, NTSC, Widescreen
Picture Format: Letterbox, 2.20:1
Running Time: 141 minutes
DVD Release Date: 1998-08-25
Audience Rating: G (General Audience)
Studio: MGM (Video & DVD)
DVD Reviews of 2001: A Space Odyssey
DVD Review: Blu-Ray does it good!
Summary: 5 Stars
I saw it when it first came out. I saw it on a 70mm screen in Staten Island and it was wonderful and regular DVD wasn't as good, but this version on Blu-Ray brought it out as it should be seen and heard on my 55" Sony LCD and Onkyo 7.1 surround with a Sony 550 model BD player!DVD Review: A Vision Lost
Summary: 5 Stars
I saw this movie in the theater 2 days after it premiered. At my then young age I was completely awe struck. For me, this motion picture still inspires awe even today. Though the promise of space has become dimmer in recent times "2001 - A Space Odyssey" brings to life what could be. If only we can redirect our vision towards the cosmos.DVD Review: Beautiful, but boring (like many cute girls I've known)
Summary: 2 Stars
Nothing much to say, Kubrick pretended to have something to say, but this movie was nothing but a bunch of nice looking garbage. He just crammed a bunch of things into this movie and kept it vague so people would be confused into thinking he was brilliant. It is I guess, people say this garbage is one of the best movies of all time.
This stuff is getting me to wonder if A.I. was made slightly boring at parts in an attempt to emulate Kubrick. Speilberg is a better filmaker than that, now I'm starting to get it. This is the 1st movie I can remember seeing by Kubrick. If I've seen Dr. Strangelove I don't remember it.
DVD Review: A Classic
Summary: 5 Stars
This movie will have you thinking for days, weeks, years. Definitely a must-have in your movie collection.DVD Review: Amazing
Summary: 5 Stars
This movie mesmerizes you, and on blu ray it wows you even more. The story is razor thin, as i've read in another review, but there's so much not said which will have you thinking.
Description of 2001: A Space Odyssey
When Stanley Kubrick recruited Arthur C. Clarke to collaborate on "the proverbial intelligent science fiction film," it's a safe bet neither the maverick auteur nor the great science fiction writer knew they would virtually redefine the parameters of the cinema experience. A daring experiment in unconventional narrative inspired by Clarke's short story "The Sentinel," 2001 is a visual tone poem (barely 40 minutes of dialogue in a 139-minute film) that charts a phenomenal history of human evolution. From the dawn-of-man discovery of crude but deadly tools in the film's opening sequence to the journey of the spaceship Discovery and metaphysical birth of the "star child" at film's end, Kubrick's vision is meticulous and precise. In keeping with the director's underlying theme of dehumanization by technology, the notorious, seemingly omniscient computer HAL 9000 has more warmth and personality than the human astronauts it supposedly is serving. (The director also leaves the meaning of the black, rectangular alien monoliths open for discussion.) This theme, in part, is what makes 2001 a film like no other, though dated now that its postmillennial space exploration has proven optimistic compared to reality. Still, the film is timelessly provocative in its pioneering exploration of inner- and outer-space consciousness. With spectacular, painstakingly authentic special effects that have stood the test of time, Kubrick's film is nothing less than a cinematic milestone--puzzling, provocative, and perfect. --Jeff ShannonWhen Stanley Kubrick recruited Arthur C. Clarke to collaborate on "the proverbial intelligent science fiction film," it's a safe bet neither the maverick auteur nor the great science fiction writer knew they would virtually redefine the parameters of the cinema experience. A daring experiment in unconventional narrative inspired by Clarke's short story "The Sentinel," 2001 is a visual tone poem (barely 40 minutes of dialogue in a 139-minute film) that charts a phenomenal history of human evolution. From the dawn-of-man discovery of crude but deadly tools in the film's opening sequence to the journey of the spaceship Discovery and metaphysical birth of the "star child" at film's end, Kubrick's vision is meticulous and precise. In keeping with the director's underlying theme of dehumanization by technology, the notorious, seemingly omniscient computer HAL 9000 has more warmth and personality than the human astronauts it supposedly is serving. (The director also leaves the meaning of the black, rectangular alien monoliths open for discussion.) This theme, in part, is what makes 2001 a film like no other, though dated now that its postmillennial space exploration has proven optimistic compared to reality. Still, the film is timelessly provocative in its pioneering exploration of inner- and outer-space consciousness. With spectacular, painstakingly authentic special effects that have stood the test of time, Kubrick's film is nothing less than a cinematic milestone--puzzling, provocative, and perfect. --Jeff Shannon
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